I was long overdue. And it is not advisable to load the backpack carries and to-do, I will comment now this fantastic book publisher Editions DH published in December 2010 and, under the title "Classic and zombies," shake our minds with vivid imagery and distressing -almost seem incurring contradiction, rotting bodies, mutilated and corrupted flesh.
some time now, that the zombie has become commonplace, almost omnipresent, and creating stories of pregnant carnivorous desires is a resource that many have spent a few hours of our time. We wanted to find the longed formula that allows us to revive the genre with renewed interest, use the same basting that in the past, impregnate them with a new trick and weave a new fabric, something groundbreaking, and even unusual that we do enjoy these things from another point of view, never found or concocted.
It is like this, to not dwell and explain myself better, and using a hackneyed phrase in this world of terror, give it a twist, find something different about him and rejuvenate the stories giving a few grains of salt that make us more pleasant savoring the blood, vivisections and gutted several.
And God lives deserves this sentence also revamped, that the authors of Classics and zombies have succeeded.
After a brief introduction of the Kid, in which my extreme caution and bulky bonhomie was begging me to prospective readers who are not admitted to the book, the text begins a fantastic story of Tony Jimenez .
Tony is a young author comes from Malaga, accustomed to a new literary perspective. Their stories are never free from splash of humor or blood plasma, and always delights us with new stories, with a very rewarding prose and unexpected plot twists that force us to read with carefully.
In the case of " Plague Trojan , and although the story is largely an innovative, Tony gets trasladárnosla in a crisp and very entertaining. Blurs the legendary characters, that the naked golden patina and have always looked for a skin change concealing dead meat.
marred not be here as predictable as the story transgresses the zombification and humor mixed, add a speck of pepper and provides a generous prose, archaic and cool, with which he weaves a fabulous story many enjoy.
The pleasure of the flesh, Kreitz Leandro, where the reallity show is brought to the extermination the horror live and widespread rot. Leandro
echoes the darkest desires of the viewer intellectually and attacked the arms of the trash TV program, reducing it to a bloody mush, meat scraps and plenty of fluids. Ultimately, adds the necessary touch of lubricity and lust, reminding us that man is surely the worst beast of all.
Despite the harshness of the story and the disapproval of the protagonist acts deserve, the reader can not leave the great literary work that adorn these pages. The
Alyscamps, Andrew Abel, is a curious literary game played by one of the greatest painters distinguished and acclaimed at the end of S. XIX. Although slow to focus on the mushy-at this point, one and looks forward to the presence of zombies, "the good prose of the author allows you to draw the story to perfection, focus on the questions, in anguish, in madness and prepare the reader for what is to come.
The initial scene Allée des Tombeaux is really good, and the progressive madness to be distilling between the story lines seem to fly like a shadow creeping fatal or threat.
One for all, Carmen del Pino is, as anyone can imagine, zombification one of the greatest novels in history: The Three Musketeers.
Carmen is set here at the scene of massive grief and revealing of identities that appears at the beginning of the novel, and the truth is that it does so with grace and talent worthy of praise. Despite the inclusion of zombies, which could be a laughable attack against a great work of literature, the story of Carmen keeps fresh the scent of adventure and melodramatic novel mother to join you getting occasional trim to make it humorous pleasant reading.
to eat better, Javier Pellicer . I wanted to read this story because I believe a writer Javier huge, those few who are able to create parallel worlds, as far as close, with small carried out in a few blanks lines. Imagined it would be somewhat complex, tumultuous personalities and details, rich in twists and stylistic tinkering, and accurate descriptions and exhibits. But the truth is that I have been a surprise. Javier, in this case is devoid of such devices so lavish that wisely managed and has boasted to show something simple or childish, as a joke, a wink or a smile. However, although the general tone exudes lightness, almost naive, it leaves the reader with a large residue of bitterness.
never forgive him that has bloodied my literary childhood memories. Little Red Riding Hood will never be the same, and from now on, consider eradication book from the shelf of my children.
is a simple story, very short and very, very big.
Hannah, José Luis Cantos , like a screenplay. The use of first person gives a tone of immediacy and debilitating anxiety, and chapter structure, the theoretical inconsistency, excuse me, basted in three acts, gives the story the proper atmosphere of tension. The tension is tangible, the misery seems to weigh upon the reader, and the drama, corruption more entrenched in the human body in putrefaction, make one in the end, be unable to perceive where evil dwells. Perhaps the zombies? Perhaps in human nature? Undoubtedly, one of my most enjoyable.
Others, Pilar Alberdi . Pilar writes very well. Is one of those writers, excuse me the generic-working, talented and gifted, they are able to outline feelings with a few words. Love, grief or longing seem to permeate the pages of this story, splashed with their moods to a reader unnoticed and increasingly perplexed. The memories flow and leave a bitter dregs, and hope, illusory and crestfallen, is only accompanied by death.
A great story. God lives.
Yo, zombie?, Jose Ramirez is an unusual story, transgressive and sarcastic, but, above all, certain skills. The prose used is light, very correct and effective, and the author has known dyes spiced up with some really bright and thoughtful tavern. The text becomes a statement of intent in statutes sickly, but very consistent, the revived, in an acceptance of self and in a frenzied invitation to gluttony. The descriptions are very vivid, and even grotesque and sarcastic tone that attempts to deprive look horrid zombies, unable to deprive us of the intense feeling of disgust that accompanies us during reading.
A different view, bordering on madness, crazy if you want. But great. Mariposa
red by Laura Lopez. zombification is a very free of Romeo and Juliet. Perhaps because of excessive images and ellipses plot, the story suffers from some lack of clarity. However, it is a very original text, sometimes dizzying and even hurtful, when the images recreated goloseo include blood plasma and human limbs. I have to include, however, a disfigured: Laura's prose, precise and powerful, should have allowed him to get closer to the reader got in this text. Error
design, Victor M. Valenzuela, try a different perspective, progressive, hopeful, even apocalyptic, and almost sympathetic. The text has a lot of precision photographic capture the immediacy and liveliness, allowing you to enjoy the story of a very nearby. It is certainly remarkable, and reassuring, to note that the speed is not going to dishonor narrative description.
In short, despite what is stated in the introduction, read. Read and pay attention and enjoy, learn and be scared. If they do so, they will repent. Sure.
some time now, that the zombie has become commonplace, almost omnipresent, and creating stories of pregnant carnivorous desires is a resource that many have spent a few hours of our time. We wanted to find the longed formula that allows us to revive the genre with renewed interest, use the same basting that in the past, impregnate them with a new trick and weave a new fabric, something groundbreaking, and even unusual that we do enjoy these things from another point of view, never found or concocted.
It is like this, to not dwell and explain myself better, and using a hackneyed phrase in this world of terror, give it a twist, find something different about him and rejuvenate the stories giving a few grains of salt that make us more pleasant savoring the blood, vivisections and gutted several.
And God lives deserves this sentence also revamped, that the authors of Classics and zombies have succeeded.
After a brief introduction of the Kid, in which my extreme caution and bulky bonhomie was begging me to prospective readers who are not admitted to the book, the text begins a fantastic story of Tony Jimenez .
Tony is a young author comes from Malaga, accustomed to a new literary perspective. Their stories are never free from splash of humor or blood plasma, and always delights us with new stories, with a very rewarding prose and unexpected plot twists that force us to read with carefully.
In the case of " Plague Trojan , and although the story is largely an innovative, Tony gets trasladárnosla in a crisp and very entertaining. Blurs the legendary characters, that the naked golden patina and have always looked for a skin change concealing dead meat.
marred not be here as predictable as the story transgresses the zombification and humor mixed, add a speck of pepper and provides a generous prose, archaic and cool, with which he weaves a fabulous story many enjoy.
The pleasure of the flesh, Kreitz Leandro, where the reallity show is brought to the extermination the horror live and widespread rot. Leandro
echoes the darkest desires of the viewer intellectually and attacked the arms of the trash TV program, reducing it to a bloody mush, meat scraps and plenty of fluids. Ultimately, adds the necessary touch of lubricity and lust, reminding us that man is surely the worst beast of all.
Despite the harshness of the story and the disapproval of the protagonist acts deserve, the reader can not leave the great literary work that adorn these pages. The
Alyscamps, Andrew Abel, is a curious literary game played by one of the greatest painters distinguished and acclaimed at the end of S. XIX. Although slow to focus on the mushy-at this point, one and looks forward to the presence of zombies, "the good prose of the author allows you to draw the story to perfection, focus on the questions, in anguish, in madness and prepare the reader for what is to come.
The initial scene Allée des Tombeaux is really good, and the progressive madness to be distilling between the story lines seem to fly like a shadow creeping fatal or threat.
One for all, Carmen del Pino is, as anyone can imagine, zombification one of the greatest novels in history: The Three Musketeers.
Carmen is set here at the scene of massive grief and revealing of identities that appears at the beginning of the novel, and the truth is that it does so with grace and talent worthy of praise. Despite the inclusion of zombies, which could be a laughable attack against a great work of literature, the story of Carmen keeps fresh the scent of adventure and melodramatic novel mother to join you getting occasional trim to make it humorous pleasant reading.
to eat better, Javier Pellicer . I wanted to read this story because I believe a writer Javier huge, those few who are able to create parallel worlds, as far as close, with small carried out in a few blanks lines. Imagined it would be somewhat complex, tumultuous personalities and details, rich in twists and stylistic tinkering, and accurate descriptions and exhibits. But the truth is that I have been a surprise. Javier, in this case is devoid of such devices so lavish that wisely managed and has boasted to show something simple or childish, as a joke, a wink or a smile. However, although the general tone exudes lightness, almost naive, it leaves the reader with a large residue of bitterness.
never forgive him that has bloodied my literary childhood memories. Little Red Riding Hood will never be the same, and from now on, consider eradication book from the shelf of my children.
is a simple story, very short and very, very big.
Hannah, José Luis Cantos , like a screenplay. The use of first person gives a tone of immediacy and debilitating anxiety, and chapter structure, the theoretical inconsistency, excuse me, basted in three acts, gives the story the proper atmosphere of tension. The tension is tangible, the misery seems to weigh upon the reader, and the drama, corruption more entrenched in the human body in putrefaction, make one in the end, be unable to perceive where evil dwells. Perhaps the zombies? Perhaps in human nature? Undoubtedly, one of my most enjoyable.
Others, Pilar Alberdi . Pilar writes very well. Is one of those writers, excuse me the generic-working, talented and gifted, they are able to outline feelings with a few words. Love, grief or longing seem to permeate the pages of this story, splashed with their moods to a reader unnoticed and increasingly perplexed. The memories flow and leave a bitter dregs, and hope, illusory and crestfallen, is only accompanied by death.
A great story. God lives.
Yo, zombie?, Jose Ramirez is an unusual story, transgressive and sarcastic, but, above all, certain skills. The prose used is light, very correct and effective, and the author has known dyes spiced up with some really bright and thoughtful tavern. The text becomes a statement of intent in statutes sickly, but very consistent, the revived, in an acceptance of self and in a frenzied invitation to gluttony. The descriptions are very vivid, and even grotesque and sarcastic tone that attempts to deprive look horrid zombies, unable to deprive us of the intense feeling of disgust that accompanies us during reading.
A different view, bordering on madness, crazy if you want. But great. Mariposa
red by Laura Lopez. zombification is a very free of Romeo and Juliet. Perhaps because of excessive images and ellipses plot, the story suffers from some lack of clarity. However, it is a very original text, sometimes dizzying and even hurtful, when the images recreated goloseo include blood plasma and human limbs. I have to include, however, a disfigured: Laura's prose, precise and powerful, should have allowed him to get closer to the reader got in this text. Error
design, Victor M. Valenzuela, try a different perspective, progressive, hopeful, even apocalyptic, and almost sympathetic. The text has a lot of precision photographic capture the immediacy and liveliness, allowing you to enjoy the story of a very nearby. It is certainly remarkable, and reassuring, to note that the speed is not going to dishonor narrative description.
In short, despite what is stated in the introduction, read. Read and pay attention and enjoy, learn and be scared. If they do so, they will repent. Sure.
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